The foregoing remarks will make it clear that the transition from the " Louis-Quinze " to the " Louis-Seize " was not by any means a sudden one. The development was gradual. Determined as were the pioneers of the latter to bring about the existence of a completely new order of things, they were compelled to work in accordance with existing conditions, and saw clearly that an accomplishment of the complete change they had in view was a task whose execution must of necessity be a matter of time. At the death of Louis the Fifteenth, and when his successor came to the throne, most of the royal palaces were completely furnished and decorated, as we should naturally expect to find them, in the style popular during the preceding reign ; and, before any appreciable change could be effected, much of that which was already in existence had to be done away with in order to make room for the practical demonstration of the ideas that were germinating. That was not to be accomplished in a single day, or even in a single year. To this time we find in one room, in many of the old palaces and châteaux, decoration and furnishing which show the characteristics of two or more distinct styles, indicating either that the means were not forthcoming to do away with the old altogether and replace it by the new, or that the old was regarded with sufficient veneration and admiration to preserve it from banishment. At the inception of almost every fresh style, the old and the new were, for a time, wedded in precisely the same way, one with the other ; though one was "dying hard," as it were, and the other was barely yet possessed of sufficient independent and individual strength to stand alone. Minor details, novel in character, were grafted on to already existent and familiar constructive forms ; slight indications of change at first, but growing aggressive by degrees, uhtil the forms themselves were superseded, and others more in keeping with the taste the times took their place.
In planning this review of the styles included in my scheme,
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