Such is the state of affairs at the present time, and my reference to it brings me to the question of a movement which was organised to revolutionise, if possible, the position of the artist and craftsman as regards their relationship to the
A Scheme of "Quaint" Furnishing (by W. Baldock)
(See page 328 for reference)
public ; and which also was, in a great measure, responsible for the inception of that style which we may consider under its generally accepted title, "The Quaint/'
To treat at length upon the tenets of the Arts and Crafts Exhibition Society ; to set forth their propaganda ; to follow
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