Louis Quatorze

44 Appartements au Louvre," 222 Boulles, the, 224-228

,, ,, not the originators of inlaid metal incrustation, 225

44 Boulle" or "Buhl"; method of manufacture, 226 Chairs, 231

"Chippendale" and "Louis-Quatorze," 233 Colbert, 220

Conditions, political and social, 218-222

Confusion of styles, 223 Decorative detail, character of, 229 " Elizabethan " and "Louis-Quatorze " compared, 23X Etiquette, the reign of, 236 Evolution of style, 232 French styles; why dealt with, 216-218 Gouthière, 228, 246 Influence on art of the royal favourites,

" Louis-Quatorze continued Levasseur, 224

Louis the Fourteenth's character, 219,

220, 234-236 Mansart, 234 Metal mounts, 229-231 Montigny, 224 National rehabilitation, 220 Oeben, 224, 244 Ormolu, 229-231

"Queen-Anne M and 44 Louis-Qua-

torze," 232 Seats, 231

State patronage, 222 " Louis-Quinze," 234-249 Anne of Austria, 237 Boucher, 248

" Bureau du Roi, Le244 Caffieri, 247

Chair, character of the, 240 Chairs, 245

Chair coverings, 24s, 246 44 Chippendale" and 44 Louis-Quinze"

compared, 245 Comfort and grace supplant dignity,

Cressent, 247

Curvilinear element supreme, 239 44Cylinder fall" writing table, 244 Du Barry, the Comtesse, 241-242 Duplessis, 247

Effeminacy of the reign, 237 Female head and bust typical, 240 Fondeurs-ciseleurs, 246 Gabriel, 247 Gamain, 247 Gillot, 248

Gouthiere, 228, 246, 247 44 Heppelwhite " and 44 Louis-Quinze "

compared, 246 Her6, 247 Inlay, 247 Lalonde, 247 Lamour, 247

Louis the Fifteenth, character of, 237

Marquetry, 247

Martin family, the, 248, 249

Metal mounts, 246

Notable men of the time, 243

Ormolu, 246

Patronage of the arts sustained, 238,

239 Peneau, 247 Philip of Orleans» 237

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