Jacobean

early in the morning"; and many other similar excuses were offered«

Persuasion seemed to be of small avail, and all entreaties fell fiat, until, in an unguarded moment, the interests of the dog were forgotten by its owner, and the sacred chair itself was offered as an inducement too strong to be resisted, " Done !" came like a flash, before there was time for retractation; the song was sung, and with an encore. The host got his way, the painter his prize, and on the next day the " find" was carried off to town in triumph.

When I was looking at the very chair a short while ago in the beautiful home at Hampstead where it now finds a resting-place, and where I first marked its lines and listened to the story of its acquisition—of the truth of which there can be no possible doubt—it struck me that few more interesting or picturesquely practical illustrations of the saying, "secured for a song," could be quoted. To complete the story, it only remains for me to add that the young painter was Mr. J. Seymour Lucas, who carried, not a marshal's baton, but an R.A. in his knap-sack; a young painter whom, though not so well known in the days of which we have just been reading, our Royal Academy has since delighted to honour. By so doing it has conferred equal honour upon itself, for his brush has been one of the most powerful among those which have won for modern British painting the laurels which have fallen to its share.

But I must return to the sterner side of our study, and say just a word or two more with regard to the Jacobean chair, before passing on to the discussion of other articles. There is one feature which has not yet been remarked upon, and which, indeed, is generally ignored by most writers who deal with the subject The feature to which I allude is the height of the seats, which are, in most cases, at a consider-ably greater distance from the floor than those of the present day. The reason for this is, perhaps, open to discussion;

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