become saturated with the traditions of Classic art in the lands of its birth ; while one of them, at least, outvied, if possible, the Consul himself in his detestation of the Bourbons, and no doubt gloated with devilish delight over the day that saw the execution of the Due d'Enghien.

It is desirable to dwell for a brief space on the careers of these notabilities ; for by so doing we shall be able later to account all the more readily for the character of the style which they created, and the study of which is the object we have at present in view.

Charles Percier, even during the reign of Louis the Sixteenth, had attained a fame so great as an architect, and particularly as an exponent of the principles of ancient Roman art, that when, in 1792, just a year prior to that during which the guillotine became the temporary ruler of France, he founded a school of architecture in Paris, students from all parts of the civilised world flocked to him for instruction, and received a training which, in after years, raised them in their turn to positions of eminence in their own lands. Perhaps the best known works of Percier himself are the completion of the Louvre, the Madeleine, and the Bourse, in Paris. This artist, it is interesting to note by the way, was on terms of the most intimate friendship with Canova and our own Flaxman.

Pierre-Francois-Leonard Fontaine (who worked largely in collaboration with Percier, and who became known as the " Father of the Modern French School"), in the year 1785, when quite a young man, in fact when only twenty-three years of age, won the French National Prize for architecture; went to study in Rome at the expense of the Academy; was accorded an extra prize of 3000 francs by the State for his drawings of "The Imperial City in the Time of the Caesars"; and, after his return to his own country, took first rank at the head of his profession, and terminated his career as Architect to King Louis the Eighteenth,

As for Jacques-Louis David, his life was indeed an eventful

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